He progressively adopted in his mind a second life pattern, hidden from the other people, where all works perfect. The progressive development of that symbolic game and the need of social acceptance improve the increase of a mighty compensatory fantasy where he could be like a woman, with her own family and able to play the social role that he wanted. He developed a strong trend to play games associated with femininity (dolls, cooking, mummy’s roles, etc.). This psychosexual ambivalence led him to a traumatic development of self-identity and he even felt, from his early childhood, like being a woman caught inside a man’s body. Contrary to his parent’s statements, JVD’s childhood was marked by a great isolation and social refusal from his equals due to a behavior too related with feminine vocabulary and gesticulation. It meant the development of a fearful attachment based on anxiety and social avoidance, with a negative vision of himself and his patterns.
![scholarly journals about what makes a serial killer scholarly journals about what makes a serial killer](https://swaddle-wkwcb6s.stackpathdns.com/wp-content/uploads/2022/04/Serial-Killer-Genre_editorial-760x500.jpg)
Besides, they both didn’t know about their son’s psychological worries and psychosexual dysfunctions either. He was raised by a middle class family, had a conventional relationship with his parents but poor affective contact.
![scholarly journals about what makes a serial killer scholarly journals about what makes a serial killer](https://i1.rgstatic.net/publication/233706158_Some_thoughts_on_the_psychological_roots_of_the_behavior_of_serial_killers_as_narcissists_An_object_relations_perspective/links/59ca7ab10f7e9bbfdc36a8af/largepreview.png)
Joan Vilà Dilmé (JVD) was born in 1965, in a small countryside village (pop. Psychosocial development Sexuality Anxiety Obsession Affective bonds. The analysis of his lifelong process reflects inconsistency and personal ambivalence in his criminal behavior, and allows understanding why the victims were the most important persons in his emotional life. His first significant and firm emotional bond in his life appeared then, even though it involved a change in his morality.
#Scholarly journals about what makes a serial killer professional
The psychosexual disorders, the absence of emotional bonds and the shortage of a stable and autonomous psychological structure, are compensated after beginning his professional activity at the geriatric. That’s why the lack of sadistic components. The conclusions show a serial killer, mercy-hero type, whose main motive is determined by the moral need to finish their victims’ agony, in order to reduce his own suffering. Both factors affect the individual’s emotional development throughout his life, promoting the appearance of anxiety/depression symptoms, frustrations and insecurities.
![scholarly journals about what makes a serial killer scholarly journals about what makes a serial killer](https://blogs.loc.gov/headlinesandheroes/files/2019/10/The-Journal-April-12-1896.jpg)
The results show the presence of disorders in the individual’s psychosexual development, like identification with female role and a personality structure marked by his handicap to create stable and secure emotional bonds from his childhood. The methodology used is based on the analysis of the forensic reports made by psychological experts and psychiatrists, forensic interviews in prison and the documentary material taken from the crime scene. To do so, we study the mental processes associated with motivations, feelings and fantasies.
![scholarly journals about what makes a serial killer scholarly journals about what makes a serial killer](https://islamonline.net/wp-content/uploads/2021/09/Bookshelf-with-Religious-Books-on-Islam-.jpg)
The goal of this article is to analyze in depth the living process as an important factor in the genesis of these criminal acts. His case provoked a strong media effect and he became the most prolific serial killer in Spain on the current century, and the fourth for sixty years before. On June 2013, Joan Vilà Dilmé was condemned to one hundred and twenty-seven and a half years by the murder of eleven old people at a geriatric residence.